Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it results in a comically executed rampage on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
